Today’s Post by Joe Farace
My whole artistic life has always been about change, change, change, move on, move on. It’s the only thing I find interesting.—Paul Simon
Paul Simon once said that real talent evolves, changes and grows over time, which pretty much explains why “Sound of Silence” doesn’t sound anything like “Diamonds On The Soles Of Her Shoes.”
Holes in the Soles of My Shoes
I’ve written here before about how a photographer’s life can be delineated in three phases. The problem for many photographers is that after reaching phase three many of us have a tendency to become complacent and keep shooting the same kind of image over and over again. I’m as guilty of this behavior as anyone. And why not? You know how to make those images and every time you shoot a new one people on social media and at your camera club say you’re a genius. Who doesn’t like that?
When I was a student at the Maryland Institute, College of Art, Jack Wilgus, one of my professors, gave us students the assignment to photograph three people that we know and three people we didn’t know. At that time I wasn’t a people photographer. The concept of photographing people I know was a challenge for me and and the thought of photographing strangers terrified me. I gave it a shot because it forced me out of my comfort zone but it was not easy or comfortable for me. In fact, I recently tried to recreate that same vibe—not on purpose, at least I don’t think so, the opportunity just presented itself to me. You can read about the photo and my though processes here. I think that the secret to break free of your comfort zone is to…
Try Something New
Shoot some infrared images or maybe give HDR photography a try. Get some ideas from looking at work by one of the masters such as Joel Meyerowitz. If you’re a people photographer, try photographing dogs getting inspiration from shooters such as the late Elliott Erwitt. Force yourself to step outside your favorite genre and make other kinds of pictures. An amazing thing will happen, if only slowly at first; Your pictures will get better and better and you’ll start to enjoy the experience more!
Like a lot of photographers I am drawn to certain themes so to break out of my comfort zone I wanted to try street photography and Mary and headed to a local weekly farmer’s market. To the credit of the good people of Parker, Colorado nobody punched me in the face while I shot 50-60 images while working the Infinite Monkey Theorem to it’s maximum. Most of my photos were not that good but I did like the one featured imag (although it’s not tack sharp) because of the juxtaposition of the wolf graphic on the man’s T-shirt and the dogs in the foreground.
How I made this photograph: I used a Canon EOS M6 Mark II with EF-M15-45mm f/3.5-6.3 IS STM lens with an exposure of 1/320 at f/13 and ISP 200. To give it a street photography vibe, the uncropped RAW file was converted to monochrome using Silver Efex. With that shutter speed and an image stabilized lens any blur should be minimized, so it’s either an AF failure, weak lens stabilization or the photographer. More than likely it’s the latter. I didn’t like the other photos I made as much but they were more than acceptably sharp, which is a perfect example of Murphy’s Law in action. The non-intimidating style of a camera that looks like Canon’s EOS M6 Mark II make it an ideal tool for street photography and I’m sure experienced shooters in that genre could use it to create more interesting and technically superior images than myself.
My book Creative Digital Monochrome Effects is available from Amazon with new copies selling for $11.46 and used copies starting around seven bucks, perhaps less than your next latee at Starbucks.