Travel Tuesday: Mirrorless Cameras on the Road

Today’s Post by  Joe Farace

Sigma has a bunch of lenses in its ART lens category, which is a high quality series of optics that are designed to “emphasize creative expression above compactness and multi-functionality.” I took the 30mm f/2.8 DN and 19mm f/2.8 DN lenses to Key West, Florida to see how they handled the rigors of travel photography

Priced at $169 they are designed for mirrorless interchangeable lens cameras and incorporate telecentric optical designs with an internal focusing system that produces smooth, quiet and accurate focus. Both lenses have a brass bayonet mount and are available in your choice of black or silver finish.

The Sigma 19mm f/2.8 DN is a lens that with my Micro Four-thirds system cameras produces an angle-of-view equivalent to 38mm. It has three glass molded aspherical elements and Super Multi-Layer Coating to minimize aberrations. Sigma says it’s useful for studio photography, architecture and starry skies. Its minimum focusing distance is 7.9-inches and has a maximum magnification is 1:7.4.

Sigma’s 30mm f/2.8 DN has an angle-of-view equivalent to 60mm. It uses two glass molded aspherical elements, including a double-sided aspherical element and Super Multi-Layer Coating to minimize aberrations. Its minimum focusing distance is 11.8-inches with a maximum magnification of 1:8.1. Both lenses come with a lens hood and a well-made case.

In Key West, I ended up mostly using the 19mm f/2.8 DN lens because it seemed to be the most versatile when shooting in the kind of documentary situations I found myself in. The 19mm proved to be an able traveling companion but not so much for its lens hood, which kept jumping off. Maybe that’s a “Joe problem.” Not having a hood did produce flare in one or two of the 400 shots I made with this lens. Otherwise, the 19mm f/2.8 DN did a great job producing sharp images and I never, although I though I might, wondered if it would have been better if I had a zoom.

How I shot the above image: The 19mm f/2.8 DN was in its element shooting under the low light conditions inside Audubon House where I made this photograph with a Panasonic Lumix G2 (see my comments about it on my Audubon post) and an exposure of 1/50 sec at f/2.8 and ISO 400. Shot in color and toned with PhotoKit 2.



Along with photographer Barry Staver, I’m co-author of Better Available Light Digital Photography that’s available from Amazon for $21.88 prices with used copies selling at giveaway prices—less than four bucks, as I write this.