Observing National Ampersand Day with a B&W Portrait

by | Sep 8, 2026


It’s “Tricky Tuesday” which is a way for me to share some of the tricks, tools & techniques I use when shooting portraits in the studio, It’s also National Ampersand Day and honors the ‘&’ symbol, a fascinating logogram that has represented ‘and’ for centuries.


Today’s Post by Joe Farace

The word “ampersand” didn’t come into being until the nineteenth century. At that time & was customarily taught as the twenty-seventh letter of the alphabet and pronounced “and.”—Ben Yagoda

Who doesn’t love the fun & functional ampersand? From jotting a shorthand “and” to corporate names, this little character is uniquely useful. To acknowledge & applaud this little glyph, National Ampersand Day is observed each year on September 8th.

Did you know this about the ampersand:

  • It is a ligature of “e” & “t”? That’s “et” in Latin, meaning “and”?
  • The word “ampersand” is a slurring of the phrase “and per se and”,
  • The plus sign is actually an ampersand?
How I made this portrait

Since it’s National Ampersand Day today’s featured image is in black & white! But you can see what Courtney and the portrait looks like in the as-captured color image at right. To tell the truth, I like both versions equally. Let me know what you think. This portrait of Courtney was made during our first session together that was a test shoot.

 

The lighting setup for this portrait consisted of a 300 Ws Flashpoint monolight that was fitted with a 36 x 36-inch soft box and placed close to her at camera right & just out of camera range. A 32-inch reflector was placed at camera left & during the session I moved it in & out of the shots while trying to create a more dramatic look. I can’t remember if the reflector was in or out for this particular image but based on how it looks, I’ll bet it was in. A Savage Universal 5 x 7-foot Infinity grey vinyl background was hung on JTL background stands.

The camera used was a Canon EOS 50D with an EF 28-135mm f/3.5-5.6 IS USM lens at 56mm. The exposure was 1/125 at f/18 & ISO 100. The JPEG file, made before my current RAW+JPEG regimen, was retouched & then opened in Exposure Software’s Exposure where it was converted to black & white using the “Panatomic X pushed one stop” preset. For some other thoughts on RAW vs. JPEG capture, you might want to watch Barry Staver & my most recent Pixels, Grain & Cookies podcast.

I had two other shoots with Courtney before she moved on to other life pursuits & in one of our subsequent shoots we created My Homage to E.J. Bellocq that is one of my most popular portraits & one that many people seem to like. It’s also in black & white.