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One question I’m often asked is where did I learn studio lighting? If you haven’t figured it out yet by the title of this blog post, I’ll repeat it— I strongly believe that the best way to learn studio lighting is by doing it.

There appears to be a consensus among many lovers of cinema that there are not many great films being released these days.

Kodak’s GC/UltraMax 400 is a high-speed daylight-balanced 35mm color negative film that I have been wanting to try again.

As I head into my twilight years. I have decided to share some of the stories and images that caused such a kerfuffle with these various editors, publishers and art directors who fought me tooth and nail over specific photographs.

With a price tag of $149, as I write this, the Laowa 17mm f/1.8 for the Micro Four-thirds format looks like a good deal. Like the Laowa 7.5mm f/2 lens I previously tested, the build quality of this lens belie it’s modest price, especially when compared to other specialized lenses.

I strongly believe that the camera you use and the way that you use it determines the format or shape of the final image.