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Business Sunday: Educating Clients is a Full-time Job

Business Sunday: Educating Clients is a Full-time Job

I started the concept of Farace’s Laws when I was writing for ComputerUser magazine back before the dot-com bust. Shortly after starting the gimmick a CU reader emailed that he had “heard about these Farace’s Laws for years” and wanted to know what it was all about. The idea was based on the TV show Burke’s Law and with my tongue firmly in cheek, I continued using it in my writing about photography.

Learning to see the Light!

Learning to see the Light!

Today's Post by Joe Farace Chiaroscuro, as Italian Renaissance painters called it, is the use of differing contrasts of light to achieve a sense of three dimensionality within a two dimensional frame. Light has four major characteristics including color, quality,...

Film Friday: I’m Capturing Panoramas

Film Friday: I’m Capturing Panoramas

I don’t think it was a Christmas present, but once upon a time my old pal Jason gave me a Russian-made Horizon 202 rotating lens panoramic camera as a gift. The Horizon is an all-mechanical camera, no batteries included, no batteries needed.

Wheels Wednesday: I’ve Stopped Worrying and Love Auto ISO

Wheels Wednesday: I’ve Stopped Worrying and Love Auto ISO

My friend Mark Toal is a big fan of  the Auto ISO setting that’s found on most DSLRs and mirrorless cameras but up until recently I was not. I even wrote a post about why I didn’t like this feature. The main reason I didn’t like Auto ISO is because most of the software that’s used by DSLR’s and mirrorless cameras seem to favor higher ISOs (and higher noise) than I thought was really necessary. But since that original post I’ve changed my mind, mostly because of the efficient way that modern cameras handle noise.

Sigma’s 16mm 1.4 DC DN Contemporary lens

Sigma’s 16mm 1.4 DC DN Contemporary lens

Sometime in the early 1970’s I bought a new Nikon F2 and in those days, you typically purchased a camera with a 50mm lens. The next lens that was added to my Nikon system was one I’d longingly pressed my nose against the window of Ritz Camera’s Baltimore Street store, the Sigma 16mm f/2.8 with built-in filters. I loved that lens and here we are all these years later and I’m looking at another Sigma 16mm lens…